Tag Archives: music

Album Reviews

1——->3——->5
Terrible——>Fantastic

5

4
Brown Jr, Terry Lee Chocolate Chords
Bugz In The Attic Back In The Doghouse
Cloud Mireya, A Singular
Pitch Black Afro Styling Gel
Psapp Only Thing I Ever Wanted, The
Roots Manuva Alternatively Deep
Various Productions World Is Gone, The
Wasteland All Versus All

3
Friedberger, Matthew Winter Woman
I Am X Kiss + Swallow
Ima Robot Monument To The Masses
Jurassic 5 Feedback, The
Mills, Jeff and the Montpellier Philharmonic Orchestra Blue Potential
OutKast Idlewild
Ross, Diana Definitive Collection, The
Small Sins Small Sins
Tapes ‘n’ Tapes Loon, The
Siuxsie and The Banshees Tinderbox
Siuxsie and The Banshees Twice Upon A Time: The Singles

2
Black Ice Death Of Willie Lynch, The
Cale, John Paris 1919
DJ Hell Gigalo Compilation 9
Girl Talk Night Ripper
Roots, The Game Theory
Sandoval, Arturo Flight To Freedom
Scissor Sisters Ta-Dah
TV On The Radio Return To Cookie Mountain
Yeah Yeah Yeahs Itunes Acoustic Session
Pants Yell! Recent Drama
Saint Etienne Foxbase Alpha
Saint Etienne Sound Of Water
Two If By Sea 2006 Promo

1
Boney M Gold 20 Super Hits
Hilton, Paris Paris
Kweli, Talib Kweli Confidential
Pony Up! Make Love To The Judges With Your Eyes
Rock, Pete Underground Classics

MIA in DC

No Del for DC. What’s he up to anyway?

And DC but not Pittsburgh misses out on Matmos. I almost headed to NYC earlier this year for a show but decided against it. Too bad they won’t be in Philly or NYC when I’m there this month.

Last, Albert Hammond Jr. of The Strokes is skipping town, playing just about everywhere on the East Coast that’s not DC.

Be Your Own Pet, Black Lips, and The Points at Black Cat

As planned, I missed the first two bands, only because opening acts are no longer worth it for me (plus, I am seeing four to six shows this week); I leave watching usually-bad performances for the younger generation.

Speaking of younger generation, Be Your Own Pet rocked. The onstage energy and (minimum) humorous banter made this show worth seeing, even if they only played for at most 45 minutes (and with no encore! I love these guys!). The crowd was a bit beligerant for some reason, but oh well; DC crowds are known for their oddities, although this is mainly their non-dancing and depressed attitudes. Overall, it reminded me of punk/rock shows where people were excited to watch and bands excited to perform, a combination that usually happens on a smaller or more local scale.

Surprisingly, this show was not packed and did not sell out. I had bought my ticket in advanced because I assumed the hipster community would come out in force for this Thurston Moore-approved, Pitchfork-lauded group. Not so.

Besides being an extremely good show–and one that will be considered for, but not win, my show of the year–it also brought to mine the occasionally used “maturity” aspect of a band. Normally, describing a band as “mature” happens when the band has become old and no longer rocks like they once did. Used like this, the term is fairly lame as it is not helpful, but that’s the way of the music critic.

Regardless, BYOP, despite being an excellent band and putting on an excellent show, is a useful example in highlighting what should be meant by a band being mature. For example, none of the equipment was set up when I arrived (although this could some sort of snafu, as they started out their set telling Baltimore to go fuck themselves; i.e., perhaps they played Baltimore the other night and something happened that caused them to be late). And one of my pet peeves, which BYOP did, was discuss the set list on stage and in between songs; it is great to tweak or add songs based on the show, but a band needs to know what’s what and not make the audience wait (especially when you are only playing a 45 minute set!). There are a couple other minor examples of this but none are as significant.

Over time, the band will probably “mature” into a properly performing group, although hopefully without “maturing” into not rocking.