Tag Archives: Be Your Own Pet

Craziest Tour I’ve Ever Seen

This is the craziest route of a tour I’ve ever seen and, ZOMG, it comes through DC.

Be Your Own Pet (courtesy of Pitchfork):

03-27 Bristol, England – Thekla
03-29 Stoke-on-Trent, England – The Sugarmill
03-30 Oxford, England – Zodiac
03-31 Brighton, England – Audio
04-01 London, England – Scala
04-03 Nijmegen, Netherlands – Doornroosje
04-05 Gothenburg, Sweden – Sticky Fingers
04-06 Malmö, Sweden – KB
04-07 Hamburg, Germany – Molotow
04-08 Münster, Germany – Gleis 22
04-10 Brussels, Belgium – Recyclart
04-11 Rotterdam, Netherlands – Motel Mozaïque
04-12 Cologne, Germany – Gebäude 9
04-13 Munich, Germany – Ampere
04-15 Milan, Italy – Rainbow Club
04-17 Bourges, France – Le 22
04-18 Barcelona, Spain – Razzmatazz Popbar
04-19 Madrid, Spain – Moby Dick
05-08 Anaheim, CA – House of Blues *
05-09 Las Vegas, NV – House of Blues *
05-10 San Diego, CA – House of Blues *
05-12 Englewood, CO – Gothic Theatre *
05-13 Kansas City, MO – The Beaumont Club *
05-15 Austin, TX – Stubb’s Bar-B-Q *
05-16 Dallas, TX – House of Blues *
05-17 Houston, TX – Meridian *
05-18 New Orleans, LA – House of Blues *
05-20 Saint Petersburg, FL – Jannus Landing *
05-21 Ft. Lauderdale, FL – Revolution *
05-22 Lake Buena Vista, FL – House of Blues *
05-23 Atlanta, GA – Variety Playhouse *
05-24 Asheville, NC – The Orange Peel *
05-25 North Myrtle Beach, SC – House of Blues *
05-27 Baltimore, MD – Ram’s Head Live *
05-28 New York, NY – The Fillmore NY @ Irving Plaza *
05-30 Washington, DC – 9:30 Club *
05-31 Philadelphia, PA – The Fillmore at Theatre of Living Arts *
06-01 Boston, MA – Paradise Rock Club *
06-02 Montreal, Quebec – Club Soda *
06-04 Toronto, Ontario – Phoenix Concert Theatre *
06-05 Detroit, MI – St. Andrews Hall *
06-06 Cleveland, OH – House of Blues *
06-07 Columbus, OH – Newport Music Hall *
06-09 Cincinnati, OH – Bogart’s *
06-10 Indianapolis, IN – The Vogue *
06-11 St. Louis, MO – The Pageant *
06-12 Chicago, IL – House of Blues *
06-13 Milwaukee, WI – Turner Hall Ballroom *
06-14 Minneapolis, MN – Fine Line Music Cafe *
06-17 Vancouver, British Columbia – Commodore Ballroom *
06-18 Seattle, WA – The Showbox *
06-19 Portland, OR – Crystal Ballroom *
06-20 San Francisco, CA – The Fillmore *
06-21 Los Angeles, CA – Wiltern Theatre *

Be Your Own Pet, Black Lips, and The Points at Black Cat

As planned, I missed the first two bands, only because opening acts are no longer worth it for me (plus, I am seeing four to six shows this week); I leave watching usually-bad performances for the younger generation.

Speaking of younger generation, Be Your Own Pet rocked. The onstage energy and (minimum) humorous banter made this show worth seeing, even if they only played for at most 45 minutes (and with no encore! I love these guys!). The crowd was a bit beligerant for some reason, but oh well; DC crowds are known for their oddities, although this is mainly their non-dancing and depressed attitudes. Overall, it reminded me of punk/rock shows where people were excited to watch and bands excited to perform, a combination that usually happens on a smaller or more local scale.

Surprisingly, this show was not packed and did not sell out. I had bought my ticket in advanced because I assumed the hipster community would come out in force for this Thurston Moore-approved, Pitchfork-lauded group. Not so.

Besides being an extremely good show–and one that will be considered for, but not win, my show of the year–it also brought to mine the occasionally used “maturity” aspect of a band. Normally, describing a band as “mature” happens when the band has become old and no longer rocks like they once did. Used like this, the term is fairly lame as it is not helpful, but that’s the way of the music critic.

Regardless, BYOP, despite being an excellent band and putting on an excellent show, is a useful example in highlighting what should be meant by a band being mature. For example, none of the equipment was set up when I arrived (although this could some sort of snafu, as they started out their set telling Baltimore to go fuck themselves; i.e., perhaps they played Baltimore the other night and something happened that caused them to be late). And one of my pet peeves, which BYOP did, was discuss the set list on stage and in between songs; it is great to tweak or add songs based on the show, but a band needs to know what’s what and not make the audience wait (especially when you are only playing a 45 minute set!). There are a couple other minor examples of this but none are as significant.

Over time, the band will probably “mature” into a properly performing group, although hopefully without “maturing” into not rocking.