Tag Archives: music

What the Kids are up to on MySpace

From the always excellent This Month In Grime by Martin Clark/Blackdown:

Flow Dan’s also been in the wars this month, in an exchange with former Roll Deep MC, Trim. The source of the beef isn’t clear, but how it’s being played out is more notable. Obviously there’s been some amiable clashing on pirate radio (, naturally) but the majority of the exchanges have been via MySpace-posted “talking dubs.”

Talking dubs are a phenomenon where MCing is abandoned for straight conversation. While these can be useful for crew members who don’t MC, ie DJs and producers, to defend themselves, it’s a little odd for people as lyrically skilled as Trim and Flow Dan to be abandoning bars, but it serves a purpose. When he appeared on Kiss, Logan reminded listeners that Flow Dan had been using the ‘talking’ approach as far back as 2003, when doing his version of Wiley’s seminal “Ice Rink” riddim. Sometimes it seems, the urge to merk a rival overrides everything, even the will to MC.

Unrelated to this, but related to the constant Jason-target MySpace, I was at a Velvet Lounge hip hop show many months ago (20070225) and heard some great MySpace-related quotes by the various MCs:

They phishing my shit yesterday on MySpace!

MySpace is about to crash!

Album Reviews

1—->3—>5
Terrible—>Fantastic

5
Bonobo – Days to Come
Burial – Untrue
High Contrast – Essential Mix [20071007]
High Contrast – Tough Guys Don’t Dance

4
Akrobatik – Absolute Value
Antipop Consortium – Antipop vs Matthew Shipp
Black Dog, The – Book of Dogma
Black Lips – Black Lips
BLack Moth Super Rainbow and The Octopus Project – House of Apples and Eyeballs, The
Blockhead – Uncle Tony’s Coloring Book
Bonobo – Animal Magic
Buck 65 – Situation
Cirez D – Horizons/Tigerstyle
Davis, Betty – Nasty Gal
Davis, Betty – They Say I’m Different
Delay, Vladislav – Whistleblower
DJ Spooky – Creation
Empire, Alec – ROBOT Love
Evans, Bill – A Simple Matter of Conviction
Evans, Bill – Symbiosis
Evans, Bill – Trio 64
Evil Nine – Fabriclive 28
V/A – Kitsune Maison Compilation 1
Pterodactyl – Blue Jay
Pterodactyl – Pterodactyl
Savath and Savalas – Golden Pollen
Sole – New Human Is Illegal, The
Sole – Poly Sci 187
Too $hort – Get Off The Stage
White Rose Movement – Kick
Wu-Tang Clan – 8 Diagrams

3
88DC – Whatevercore
Cardigans, The – Emmerdale
Cinematic Orchestra, The – Remixes, 1998-2000
DJ Mayonnaise – Still Alive
Evans, Bill – Affinity
Evans, Bill – Birdland Sessions, The
Evans, Bill – Waltz for Debyy
Fehlmann, Thomas – Honigpumpe
Feist – Reminder, The
V/A – Kitsune Maison Compilation 2
Panthers – Let’s Get Serious EP
V/A – Putumayo Presents Israel
Radiohead – In Rainbows
Tobin, Amon – Chaos Theory Splinter Cell 3 Soundtrack

2
Breezy – My Construction Site
Buddha Monk – Prophecy, The
Flashbulb, The – Soundtrack To A Vacant Life
Fog – Ditherer
Ghostface Killah – Big Doe Rehab, The
V/A – Kitsune Maison Compilation Love
Evans, Bill – With Symphony Orchestra

1
Distorted Penguins – Magic
Panda Bear – Person Pitch
Panda Bear – Young Prayer

Rock Has No Soul, But Does It Have Flow?

Thanks to an incredibly generous HD, I was able to see Vampire Weekend when they played Rock ‘n’ Roll Hotel in early February. Given all the hype, I expected them to both bore and hurt, but I was surprised (yeah, yeah, the album is on my To Listen list).

I thoroughly enjoyed the show, but quickly noticed two aspects of the band. First, they are clearly young. Their sound is bare and minimalist (but not in the good German way), needing to expand, be filled in, and evolve past the rather simple structure of each of their songs. That part’s doable and standard.

The other issue, though, is that the lead singer (Ezra Koenig) has no flow. All of their songs are delivered in the same monotone post-Brit pop way. While the nasality of it all is loved by the birds and very trendy, the lack of tempo, note, and style changes–in other words, flow–is not. Even in the whitest of white genres, indie rock, (good) bands usually have lead singers with a bit of flow. And those outstanding bands have lead singers with amazing flow. In this latter case, the best example I can think of is Karen O, who uses incredible significant and nuanced vocal/flow changes within a song, between songs, and across albums (Admission: I listen to the entire YYYs discography once every 36 hours, on average).

It would be difficult to argue that flow does not matter to all music with vocals, but we rarely think, hear, read, or write about its importance outside of hip hop. At best, there is mention of the singer’s voice, but that usually has to do with energy, clarity, and pitch, not the more general but also more specific notion of flow. So here’s my purely rhetorical question: Why?