When Sentai started, I was worried I was in for a (bad) session of noise drowning out cheeky electro-twinged synth lines. In the end, though, it was quite good–albeit with some rough edges–and could be (underwhelmingly) described as glitzed punk rock (the good kind).

S PRCSS was, as expected, excellent. The two excellent guitars created some interesting, and very subtle, sounds that kept me focused, probably at the cost of their bass and drums. Oh well.