2005 music sales figures are out and a major music conference is occurring, with online sales being a key focus of both. Here’s yet another deconstruction of the music industry written by me:
Tag Archives: music
Album Reviews
1—————->3—————>5
Terrible—————–>Fantastic
5
Clipz Livin’ Drumz
Coldcut Let US Replay!
Kraftwerk Live @ Coachella Music and Arts Festival
Riley, Terry Requiem for Adam
Rolling Stones Forty Licks
4
Bowie, David David Live
Bowie, David Heroes
Bowie, David Space Oddity
Bowie, David Station to Station
Quintron Satan is Dead
Riley, Terry A Rainbow in Curved Air
Skalpel 1958 Breaks
Various Artists Smart-Music.net’s Favorite Ninja Tunes
3
Aphrodite Overdrive
Bowie, David Low
Bowie, David Man Who Sold The World, The
Bowie, David Pinups
DJ Shadow Diminshing Returns (Essential Mix 20030330)
Empire, Alec and Merzbow Live @ CBGB NYC 1998
Riley, Terry Persian Surgery Dervishes
Tobin, Amon Permutation
Westdal, Keston Super Structure Baby
Various Artists Digital Beauties .001
2
Drop the Lime Gutterbreakz Set
Riley, Terry Bird of Paradise
1
Carey, Mariah Emancipation of Mimi, The (Ultra Platinum Edition)
Miscellaneous: Music
I prefer content and posts with a coherent theme, but I have a couple of bits that I thought were interesting. Here they are:
(1) Sony BMG creates a music label for LGBT artists
(2) Korn has entered an unusual contract with its music label and concert promotors
Under the terms of the arrangement, Live Nation Inc. will share far more than is typical for a promoter, which normally receives a cut of the band’s box-office sales but little else. Instead, the company is paying roughly $3 million for an estimated 6 percent stake in the band’s box office, licensing, publishing, merchandise and CD revenue for its recently released album, “See You on the Other Side,” and its next album, music industry executives involved in the deal say. Live Nation will also be the exclusive promoter of Korn’s concerts in the United States.
…
The deal reflects a new twist on relationships that generally involve only two players. Music acts sign contracts with record labels to distribute their CD’s; the acts strike separate deals with concert promoters to market their live performances. The labels and promoters historically have not shared in each other’s earnings, but under Korn’s arrangement with Live Nation – and an earlier all-encompassing pact that the band struck with the music giant EMI Group – the money will flow into one shared pot. The three-way partnership is the latest example of how the various players in the music business are scrambling to keep pace with a shifting market.
(3) Killing the iPod
(4) Copyrights keeping older music down and out