Guerrilla Artivism

First, let’s note my word creativity in the title. While nothing is original, I don’t recall seeing this before. Google tells us this is a relatively unused word (thankfully?).

Second, the reason I post is a now-old entry on Engadget. The post is short, so I’ll quote it in its entirety:

Instead of standing around using the same old channels to affect change or whining about what a violation of civil liberties it is that Austrian police can install closed-circuit surveillance cameras in public spaces without a court order, activist group Quintessenz took it to the streets to fight back, both high tech and low. Before moving on to more advanced methods, Quintessenz’s early efforts merely blinded the cameras with lasers and balloons, but they’ve since upgraded to techniques that scramble camera signals and even intercept their video feeds and automatically place Dirty Deeds Done Dirt Cheap-style black stripes over peoples’ eyes. Way to subvert, boys and girls — ain’t no fire worth stoking like the Big Brother civil liberties violations fire.

It’s an interesting exercise and part of the larger trend toward integrating technology into public art and activism (for more examples, see Wired article on tech graffiti, for which I can not find a link).

However, the more effective way of reducing the effectiveness of recognition by video camera (by human or software) is by covering the lower half of your face, not your eyes. About two years ago, a Carnegie-Melon and University of Pittsburgh research team used video of me moving around to demonstrate facial-recognition software. The software was primarily being developed to measure face muscle movement, with the intent of doing face reconstructions, I believe, but had a number of spinoff applications including eventually being used as face-recognition software.

I met with the team because they wanted my permission, which I gave, to use the video of me. The primary investigator for the team, whose name I can not recall, was generous with his time, answered my many questions, and even demonstrated the software. One of the questions I asked was what is the most effective way of stumping face-recognition software, such as the type used by police forces. He said even the best packages had tremendous difficulty matching faces that had their bottom half covered (e.g., faces covered with a bandanna around the nose and mouth). This, he said, is much more effective than covering your eyes (e.g., using sunglasses) or top of your head (e.g., using a hat).

Blue Screen Of Creativity (BSOC)

In the current issue of Wired, Jason Silverman writes:

Michela Ledwidge wants her film to be more than watchable. She wants it to be remixable. By February, the director plans to post all of the raw material for Sanctuary, her 10-minute sci-fi movie about a girl, her computer, and a mysterious murder, on www.modfilms.com. Expect nearly nine hours of production footage, 90 minutes of sound effects and dialog, plus hundreds of storyboards, concept drawings, and still photos. Viewers will be able to manipulate the cinematic elements with downloadable software called Switch. Ledwidge was inspired by game modding: Fans spend untold hours performing retrofits on their favorite titles (famous examples include Half-Life and Quake III). If her project catches on, Sanctuary could turn into the first massively multiplayer online movie.

This is an excellent idea. In pushing the idea further, it would be interesting to develop a series of similar projects, each of which would move closer to blue screen with which others could create a story/movie. For example, the next step would be to have a similar setup but with no audio or blue screen substitutes available. Interested parties would dub over their own vocals (which would be paired, but not synced, with the movement of the actors’ mouths) and background imagery. Taking it further, we might have blue screened outfits for the actors and blue screened boxes in the foreground, letting people apply clothing and props to the scene.

Album Reviews

1—————->3—————>5
Terrible—————–>Fantastic

5
Clipz Livin’ Drumz
Coldcut Let US Replay!
Kraftwerk Live @ Coachella Music and Arts Festival
Riley, Terry Requiem for Adam
Rolling Stones Forty Licks

4
Bowie, David David Live
Bowie, David Heroes
Bowie, David Space Oddity
Bowie, David Station to Station
Quintron Satan is Dead
Riley, Terry A Rainbow in Curved Air
Skalpel 1958 Breaks
Various Artists Smart-Music.net’s Favorite Ninja Tunes

3
Aphrodite Overdrive
Bowie, David Low
Bowie, David Man Who Sold The World, The
Bowie, David Pinups
DJ Shadow Diminshing Returns (Essential Mix 20030330)
Empire, Alec and Merzbow Live @ CBGB NYC 1998
Riley, Terry Persian Surgery Dervishes
Tobin, Amon Permutation
Westdal, Keston Super Structure Baby
Various Artists Digital Beauties .001

2
Drop the Lime Gutterbreakz Set
Riley, Terry Bird of Paradise

1
Carey, Mariah Emancipation of Mimi, The (Ultra Platinum Edition)