Author Archives: Jason

About Jason

Jason R. Koepke is Founder and Data Strategist at GNT LLC, a risk-analysis and data strategy firm that provides analytical and technical services to the public and private sectors. His work and research has been featured in the academic, financial, and technical industries.

Album Reviews

1—->3—->5
Terrible—->Fantastic

5
Empire, Alec – Golden Foretaste of Heaven, The
Empire, Alec – Kiss of Death Single
Kinch, Soweto – A Life in the Day of B19: Tales of the Towerblock

4
Empire, Alec – Intelligence and Sacrifice
Empire, Alec – Low On Ice (The Iceland Sessions)
Goodman, Benny – a ton of stuff from 1928-1949
Hancock, Herbie – Crossings
Hancock, Herbie – Dedication
Hancock, Herbie – Flood
Hancock, Herbie – Mwandishi
Hancock, Herbie – My Point of View
Hancock, Herbie – Prisoner
Hancock, Herbie – Takin’ Off
Hancock, Herbie – Trio ’77
Rother, Anthony – a ton of albums
Switch – Ravers Only!

3
Empire, Alec – Funk Riot Beat
Empire, Alec – Futurist
Empire, Alec – Generation Star Wars, Part 01
Empire, Alec – Miss Black America
Empire, Alec and Carl Crack – Live DJ Set at Radio Massive Kiss FM
Feist – Monarch
Hancock, Herbie – Secrets
Human Television – Human Television
Kid Kut – Underground Kingdom Mix
Les Savy Fav – Cat and the Cobra, The
Prodigy – HNIC, Part 02
Rza as Bobby Digital – Digi Snacks
Spank Rock – Fabric Live 33

2
Empire, Alec – DHR01
Goldfrapp – Seventh Tree
Hammond, Jr, Albert – Como Te Llama
Lady Tigra – Please Mr. Boombox
No Age – Nouns
Raconteurs, The – Consolers of the Lonely
Roots of Orchis, The – Crooked Ceilings (CD2)

1
Blanx, Mike + The SDABS – Starting Them Off Young
Brown, Pat – Equal Opportunity
Gospel Gangstaz – Do or Die
Gospel Gangstaz – Gang Affiliated
Islands – Arms Way
Pendulum – In Silico
Resilience – Sound of Strength
Saucy Jack – Ways You’ll Visit
TCR – Chrome Recordings, The
Wonderland Junk – Manifest Destiny

Three Mixes of Three (or Two)

I hit a period of listening to some incredible singles and wanted to share them with friends, so I whipped together a couple of elementary mixes of the songs. The tracks aren’t as fresh since I’ve sat on them for a minute, but they are still excellent (and one or two are old but I just keep digging them). Here they are:

He Gets the Women (15MB)
(1) Hazard – Machete
(2) Mistabishi – No Matter What (Jason’s Re-Edit)
(3) Unknown (from the 50 minute block of the 20080524 Futuredub Radio One-Year Anniversary Show with FSTZ)

It’s Sometimes Easy (9MB)
(1) Trim – Liar Liar (Part 1)
(2) Soulja Boy – Booty Meat (Jason’s Re-Edit)
(3) Wiley – Gangster

Prayers for Hoods (12MB)
(1) J. Rawls and Middle Child – Useless
(2) Roger Robinson and Charlie Dark – Prayers for Angry Young Men

Unnoticed Impact of the US Recession

Yes, we’re in a recession. And it’s going to get a whole lot worse.

But the main reason I post is to send readers through the Internets to a Grace Undressed-a well-written and in-depth blog by a stripper, which I came across probably via BoingBoingpost on how strippers are massively crunched in the current economic situation. The anecdotal-based point of the post is that less people are going to strip clubs and spending less. Not only is this interesting insight into the adult services industry, but it is a simple and low-level (i.e., no more trickling to be done) example of how much trouble U.S. consumers are in.

On the economies of adult services, I have argued for some time that strippers must be a huge source of U.S. productivity increases (assuming that their incomes correctly make their way into the relevant statistics). Consider the fact that their income is predominately tip based and, unlike waiters and waitresses, not based on a percentage of another good (e.g., food) that can increase in price (given inflation, etc.). Furthermore, the form of currency constrains their income stream. That is, a buck per dance per gent is traditional because you can’t slip coins into a garter belt but there’s only moderate incentive for the viewer to provide more dollars per dance. As a result, strippers probably had a much higher labor value years ago than today.

Because of the diminishing value of their labor (i.e., one dance has been, is, and probably will generate one dollar per viewer), they must work much harder to maintain the same quality of life. This squeeze is why I suspect they are a major contributor to productivity growth.

Of course, this isn’t a robust argument. It’s an analysis of logic with almost no case studies (let alone large-n datasets). Furthermore, people are probably providing more than one dollar per dance, meaning that a stripper’s income is more correlated to inflation/price changes than I make it out to be in this post. Last, the likely emergence and growth of additional services (e.g., VIP rooms, table service, non-sexual escorting) mean that strippers have probably found new more profitable revenue streams that make up for lower margins (just like any other successful business).

In any event, it’s a stimulating issue to think about.